Italian Braids and Curls

I have found that for the ‘just stepped out of a painting’ effect, you generally need to address what you are going to do with the top of your head. For many locations and time periods, this means considering what sort of hat or veil you should wear. For middle to late 16th century Italy, it means that you need to figure out how to dress your hair.

While wearing your hair down might feel very pretty, it is not a common sight in period images, except for biblical or getting-dressed scenes.

Let’s take a quick look at some portraits and what sort of styles ladies are wearing in northern Italy.

Self-portrait at the Easel, Italian Braids and Curls on MorganDonner.com

Self-portrait at the Easel, 1532, Sofonisba Anguissola, Detail

I do so love Anguissola’s paintings.  She lived in Cremona and Milan, and I feel that her paintings before 1560 mostly reflect fashions of those areas (Lombardy region).  She did many paintings of herself and her sisters, mostly portraying  all the girls with a small section of hair rolled back from the hairline, always center parted, and with a twisted or braided element toward the back of their heads, often taped/sewn down with ribbon.

Two Sisters & One Brother from the Family Gaddi [1555-60], Sofonisba Anguissola

Two Sisters & One Brother from the Family Gaddi [1555-60], Sofonisba Anguissola

A few of her paintings show girls with fun curly fringe around the hairline, like the girl on the left above.  Hairnets are not unusual, nor are the headband-like jewelry pieces.

Self-portrait at the Easel, Italian Braids and Curls on MorganDonner.com

This flickr gallery by Petrus Agricola is just lovely for looking at a bunch of Sofonisba Anguissola’s paintings at once. Be careful about looking at anything past 1560 or so, since she moved to Spain to paint the courtly ladies, and any images past that point are too influenced by Spanish fashion.

PORTRAIT OF A LADY, Florentine school, 16th century. Italian Braids and Curls on MorganDonner.com

PORTRAIT OF A LADY, Florentine school, 16th century.

In this portrait of a lady by an unknown artist, we can see that she has also rolled her fringe hair back, with quite a bit of volume visible on the left.  It looks like her gold hair jewelry might actually be in the middle of that roll.  The back of her head must be interesting, we can only see a small portion of her hair length.  It doesn’t look braided to me, perhaps twisted and then anchored in place with the white ribbons?

Alessandro Allori (Italian, 1535–1607), Portrait of a Young Woman, c. 1580s. Private collection. Photo by Glenn Castellano.

Alessandro Allori (Italian, 1535–1607), Portrait of a Young Woman, c. 1580s. Private collection. Photo by Glenn Castellano.

Allori is another fabulous painter for hair, although it would have been nice if he had painted more blond ladies.  It’s hard to see what’s going on in all that dark hair.

ainting Associated with the Artist or the Workshop of Alessandro Allori (Italian, 1535-1607) Portrait of a Florentine Lady 1560

Painting Associated with the Artist or the Workshop of Alessandro Allori (Italian, 1535-1607) Portrait of a Florentine Lady 1560

Both of the paintings above show women with hair encircled in a strand of tiny pearls.  It has a similar look to ribbon hairtaping, but it’s more likely that they wrapped the braid in the strand of pearls, then secured it down with ribbon or pins.  Both have hair jewelry, both have curled fringe.

And we cannot forget Moroni:

Italian Braids and Curls on MorganDonner.com

 Isotta Brembatti by Giovanni Battista Moroni, 1552-1553
Portrait Of A Young Woman by Giovanni Battista Moroni, 1564-1570
Portrait Of A Lady by Giovanni Battista Moroni, 1556-60
Portrait of a Little Girl of the Redetti Family by Giovanni Battista Moroni, 1570
 Isotta Brembati Grumelli by Battista Moroni, 1550-1555
Portret van een jonge vrouw by Giovanni Battista Moroni, 1560 – 1578

Many of the hairstyles above do not require shorter hair at the hairline (also known as bangs or fringe modernly), since you can simply roll your hair back from the hairline at any length to get a nice tapered look.  But several of them clearly have long hair that has been put up into braids, but have little curls in the front.  Some women naturally have a lot of little hairs shorter than the rest in that area, but I don’t so I had to cut my hair to get the same look.
Pincurling, 16th Century Italian Braids and Curls on MorganDonner.com
As you can see, I have sort of weird bangs: I have cut a little sliver of hair just at the edges of my hairline near my temple, but the shorter hair on top is the more normal triangular shaped base.  Well, normal for modern bangs/fringe; the 16th century portraits look as though they did a thin section of shorter hair from ear to ear.

There are a few ways you could curl this area: in the picture above, I have wetted my hair and then pincurled very small sections at a time.

Pincurl result, 16th Century Italian Braids and Curls on MorganDonner.com

After it has dried, you can pull the pins out and have a messy pile of curls (which actually sort of remind me of the Venetian horns…) or you can gently roll the curls together to create a continuous roll, depending on your inspiration images.  Pincurls are great for camping events, since you can set them up before bed, put a bandana on to protect them, and they’ll be dry by morning (with no bandana, mine dry in about 3 hours).

Ironing Curls, 16th Century Italian Braids and Curls on MorganDonner.com

However, if you are day-tripping an event from your home (or it’s a hotel event) then you can use a curling iron instead, especially if you forgot to put your pin curls in before it was way too late for them to dry in time (which is the only reason I have the above pictures, oops!).  Our curling irons require an outlet, but I imaging that period curling irons would have been similar to ruff setting iron sticks, and could have been heated up in the same way.  I haven’t actually done any research yet on 16th century hair curling methods, but since the technology was already there for ruffs, why not hair?

I get a lot of questions about how to add false hair to your own. You can braid up a piece of false hair and simply coil it into a bun around your own bun, but I like to add mine during the braiding process.

Adding fake hair, 16th Century Italian Braids and Curls on MorganDonner.com

I got my hair from my local Sally Beauty Supply, for around $5 USD.  It was just a length of hair, no clip or anything, already loosely braided I think.  I split the hair in half, since I wanted to braid it into two different braids, and then I divided those sections into three, for a total of six sections.  Each set of three got folded in half and then ‘knotted’ together using the paranda method shown on Habioku’s site (top middle photo).

I then add the knotted area to the base of my own hair, which is already split into three, and I add the three sections of the fake hair to my own, then braid as usual.  The result is a braid that is really only a little bit bigger than my natural one since the false hair looks big, but actually compacts down a lot.  You might then wonder why I am adding false hair to my own if it doesn’t make a huge difference.  Well, I don’t add it usually.  My hair is long enough now that I can complete the halo of braid around my head, so they are not very necessary at this point.  But for fancy occasions, I’ll sometimes add them for the little extra oomph they give to the whole look.

PicMonkey CollageNow what if your natural braid has a lot of taper?  Starts out at a thickness you like, but thins down too much by the time you get to the end?  You can add your false hair (demonstrated here with yarn) farther down your braid, rather than starting at the base.  The knot at the top of your false hair is likely going to be visible on one side of your braid: make sure it’s the side that will eventually be against your head.

Want to make your braid extra long but even along it’s length (very useful for a single braid that encircles the head)?  You can add multiple false hair pieces for a continuous look (keep them thin though!)

PicMonkey Collage2

When you are done braiding, arrange the base of your braid in whatever direction you plan for your final hairstyle to verify that the beginning knot of your false hair isn’t peeking out in a totally obvious way.  If it does, rebraid that section of hair until it is invisible.

16th Century Italian Braids and Curls on MorganDonner.com
My synthetic hair matched the top half of my hair very well, but not so much on the bottom half.  Since that part of my hair is several years old by now, it has been in the sun enough to bleach a little bit.  I don’t mind the mismatch too much.

If your own hair is much shorter than the augmented hair, then try to tuck your own ends into the false hair as you continue braiding, to reduce the amount of hair splaying out.

16th Century Italian Braids and Curls on MorganDonner.com
To mimic my Italian lovelies, especially the versions where the braid is just visible from the front, I wrap my braids around my head and pin them in place temporarily with hairpins or bobby pins.

Tuck and roll, 16th Century Italian Braids and Curls on MorganDonner.com

If your hair roll becomes mussed from dressing or your hat, use your fingers to roll it back in place, starting at the part and continuing down, making sure the ends are tucked if the style requires that.

Pinned in Place, 16th Century Italian Braids and Curls on MorganDonner.com

I could leave my hair like this if I like, since there are some portraits that don’t appear to have any hairtaping, but if you want that pretty splash of contrasting color, go get your ribbon.  Length is a bit hard to guess, my ribbons are usually about two-three arm lengths, depending on whether or not I am wrapping the ribbon around my head after my braid is taped down.

Hairtaping, 16th Century Italian Braids and Curls on MorganDonner.com

Once you have sewn the braids to your down, take the ends and tie them in a bow, either behind your neck or on top of your head.  If you find that your ties are uneven, or you have too much slack, don’t cut it shorter (unless you seriously have a lot of extra slack) otherwise you’ll end up cutting it a little shorter every time you wear your hair like this, and that poor ribbon will become too short to use before long.  So I fix that by either wrapping the long strand all the way around my head (good if you have a foot or two more than you need) or by adding an extra stitch or two around the braid at the base of my neck (good for shortening just a couple inches).

Hairtaping, 16th Century Italian Braids and Curls on MorganDonner.comHairtaping, 16th Century Italian Braids and Curls on MorganDonner.comMarket Lady!  16th Century Italian Braids and Curls on MorganDonner.com

Yay hair ribbons!

16th Century Italian Braids and Curls on MorganDonner.com

 

16th Century Italian Braids and Curls on MorganDonner.com

Awesome picture by juan_guthrie on Flickr (click on the picture to see more of his gallery!)

Posted in Not Clothes, Pre-1600's, Tutorial Tagged with: , ,
6 comments on “Italian Braids and Curls
  1. Zilpah bat Leah says:

    And you do this by yourself? Wow!

  2. Molly says:

    A comment on an old post :)

    Thanks for putting this together, this was really helpful! I bought some hair from Sally’s Beauty supply, and found it impossible to tie it in the Paranda method, since it would just sproing right out. How did you solve this? Maybe you bought a higher quality of hair than I did, since I definitely started with the cheapest :)

  3. Irma says:

    I am experimenting with adding false braids to mimic this Italian look. I bought bundles of human hair and made up some braids. But, there are a lot of stray hairs poking out. Is there something I can apply during the process to keep them smoother?

    • Morgan Donner says:

      I find that human hair, and synthetic hair often don’t act the same way, but I have two suggestions. First, try to make sure your bundle of hair is all the same length. If you have any shorter hairs, they are likely to poke out once braided, just like how they would on someone with a very layered haircut. Once you have gotten rid of most of the short strands of hair, try spritzing the hair damp with a spray bottle full of water. I found that helps for both human and synthetic. Consider using a bit of hairspray once the braid is done to help keep everything in place. Even with all that, you will likely have to redo your braid after wearing it for a full day or two (just like you would if it was actually attached to your head!). Hopefully that will help you out some! I’d love to see some pictures when it’s done!

3 Pings/Trackbacks for "Italian Braids and Curls"
  1. […] My hair is growing out nicely, but I’m coveting fake hair to do beautiful Italian braided hairstyles like Morgan Donner demonstrates so well. […]

  2. […] dressing my hair: – For the most part I followed the instructions here and used hair taping on my hair. I need to practice this a lot more. – Over that I wore a […]

  3. […] that can really make the whole look come together. I wanted to try out hair taping, as shows in this fab tutorial by Morgan […]

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