My First Lasted Shoe

I have made a few pairs of simple turn shoes before, simple and clumsy things that were not very pretty, but worked well for medieval fashions.  When I started wear 16th century styles more, the turn shoes I had made did not go very well with my outfits, and were starting to fall apart anyways since I did not have a good understanding of how to make them well.

When I looked at 16th century shoes, both extant and in portraiture, they looked way too complicated, so I bought the closest thing I could find and decided that would have to be good enough.

16th Century Shoe Tutorial at MorganDonner.com

Both images by Cesare Vecellio in his book Degli habiti, antichi et moderni di diversi parti del mondo (Of Costumes, Ancient and Modern, of Different Parts of the World), published 1589.

Flash forward a few years.  A few of my current projects require shoes that are not available as ready-made options (which has expanded greatly in the past few years, so I cannot just buy them.  The two above are good examples: low-medium height chopine, an over shoe with a slight wedge shaped heel, called a pianelle by the Vecellio, and a white slipper shoe, likely of a light weight leather and meant to be worn inside, or with pianelle outside.

I have long had an eye on Francis Classe’s super fabulous shoe reference site Raised Heels.  It’s a wonderful place, and I really cannot overstate how useful it is for anyone interested in making 16th century shoes, including flat styles.  His site gave me courage to try to make my own.  

Upper Class Italian, 16th Century Shoe Tutorial at MorganDonner.com

Speaking of which, I just want to mention quickly that I love my pair of American Duchess Stratford heels, designed by Francis Classe!

Armed with his lessons, my husband’s copy of Stepping Through Time, and every youtube video I could find using the search “making leather shoes”, I started to collect the supplies I would need to make lasted shoes of my own.

16th Century Shoe Tutorial at MorganDonner.com

 

To make lasted shoes, I clearly needed lasts!  I found the process of obtaining a last very confusing.  Many places  I looked at online only sold in bulk, had confusing sizing structure, were sold-out in sizes I needed, or made of materials I didn’t want (lots of plastic!).  I saw a few tutorials on making your own lasts, but most of those involved making a mold of your foot and casting plaster into it.  I was afraid of doing that since I need to be able to nail the sole to the last, and I feel like plaster would crack.

As far as I can tell, your best bet for a single pair of wooden lasts is from Ebay or the vintage section of Etsy.  I got a pair of US women’s size 7 1/2 extra wide, and 8 regular, figuring that it’s always best to have more options.

I got a curved awl and awl handle, leather glue, lots of leather, leather needles, sinew, nails, hammer, craft knives and such from my local leather supply shops, and my husband’s workshop.

The other specialty tool I wanted to get online was a pair of lasting pliers, but due to a little mix up with my ebay seller, I ended up getting them after this project was done.  I have seen them called lasting pliers, pinchers, and pincers, so use those terms if you are searching for your own pair.

16th Century Shoe Tutorial at MorganDonner.com

 

With my tools on hand, I grabbed one of the lasting pairs (7.5 Wide) and started taping away. I wish I had thought to wrap it in food plastic wrap first, but it was not a big deal that I forgot it. Once the last was all taped up, I marked where the sole, vamp, and quarter would start.

Since this is my first time using this construction method, I figured I would make a practice pair, not one of the Italian ones I would eventually like to make.  I based my pattern off of the simple Mary Rose style shoes.

16th Century Shoe Tutorial at MorganDonner.com

 

I also played around with some decorative markings, although I did not actually add any to the final product. Next time!

16th Century Shoe Tutorial at MorganDonner.com

 

I carefully cut and peeled my pattern pieces off of the last, and cut them so they would lay flat. That is particularly noticeable on the toe, where the leather will eventually be gathered in to curve around the toes of the shoe.

I then cut out all my pieces, left and right, out of vegetable tanned leather, around 5-6 ounces for the upper and insole, 12ish for the outsole. I think that next time I should make both soles thick, the upper was about right though.

They were cut so the bottom edge was a little bigger than my blue tape pattern. I think I may have made the side seams a little bigger too, or perhaps they stretched during the process. Whatever the reason, they ended up a little too big, so I’ll keep that in mind for next time.

16th Century Shoe Tutorial at MorganDonner.com

Using the curved awl, I wiggled little holes along the inside edge of the leather, doing my best not to go out the flesh side of the leather.

16th Century Shoe Tutorial at MorganDonner.com

 

I used two threaded needles to go back and forth, sewing up the little side seam. I didn’t go all the way up, because I figured that would make it easier to remove the shoe later. As it turns out, it did not help enough. The shoe ended up being very difficult to remove.

16th Century Shoe Tutorial at MorganDonner.com

This is the insole being nailed to the last to keep it from moving around. The nails are temporary and will be pulled out later.

16th Century Shoe Tutorial at MorganDonner.com

Once the vamp and quarter were sewn together, I slipped them on to the last and nailed them under the bottom edge. These nails are also temporary. Normally, one would pull on the edge of the leather with a lasting pincer, place a nail to hold it in place, and then use the hammer part of the pincers to hammer the nail down half way. Since my pincers had not yet come in the mail, I just used my hands to pull the leather in place and a regular hammer to nail.

16th Century Shoe Tutorial at MorganDonner.com

Nails coming out; not all at once, but only as I need that area cleared for stitching.

16th Century Shoe Tutorial at MorganDonner.com

After the leather dried, I cut down some of the extra leather that turned under the foot, and stitched on a welt.  I used two threaded needles to stitch back and forth through the insole, upper, and welt.

16th Century Shoe Tutorial at MorganDonner.com

My stitches aren’t the straightest, but they still seem to work.

16th Century Shoe Tutorial at MorganDonner.com

Almost halfway around!

16th Century Shoe Tutorial at MorganDonner.com

Unfortunately, even though I thought I measured quite carefully, the welt piece ended just short of where I wanted it to, so I added a small scrap to close the gap.

16th Century Shoe Tutorial at MorganDonner.com

With the first stage of sewing done, I cut the layers of leather even so the bottom of the foot is flat.  Or that was the idea at least.  It was actually a little concave, which might be why I see a lot of modern shoemakers include cork or more leather in between the insole and outsole.

16th Century Shoe Tutorial at MorganDonner.com

16th Century Shoe Tutorial at MorganDonner.com

I wet the welt to flip it down, and started to work on the outsole!

16th Century Shoe Tutorial at MorganDonner.com

I took my blue tape pattern from the beginning and cut out a pair of soles from very thick leather.  I guessed on how much bigger than the insole it should be, the amount you see above worked out fine.

16th Century Shoe Tutorial at MorganDonner.com

I think there are special tools for this, but with a steady hand, I traced around my blue pattern piece, then cut a narrow channel into the sole where I traced.  I cut twice, at two different angles, creating a V shaped grove in the leather.

16th Century Shoe Tutorial at MorganDonner.com

I soaked the thick sole before hammering a couple nails into the toe and heel, to hold it still on the last.  I am not sure if this was the correct thing to do: lots of people recommend wetting thick leather before sewing it, since that makes it much more pliable, but if I nail the sole in place, I end up with black oxidizy marks when I remove the nail later.  Perhaps I am using the wrong kind of nail?

What ever the case, I then used the curved awl to wriggle up through the sole, and out the welt.

16th Century Shoe Tutorial at MorganDonner.com

I mostly guessed at where the poke out on the welt side, which worked out fine, aside from the occasional uneven stitch.

16th Century Shoe Tutorial at MorganDonner.com

16th Century Shoe Tutorial at MorganDonner.com

After the outsole was done, I cut off the extra welt.  Still some cleanup work to be done on the edge to make it more even.  On the bottom you can see  the start of my heel pieces.

16th Century Shoe Tutorial at MorganDonner.com

Unfortunately, when the time came to remove the shoes from the last, they would not come off.  I tried all sorts of twisting, pulling, prying, praying, hammering, and they would not budge!  I resorted to cutting semicircles out of the vamp, bigger and bigger until they finally came off, resulting in a lachet style shoe.  Not what I had originally intended, but it works I suppose.  I suspect that it is because I wet the upper before putting it on the last.  I don’t think it was necessary, and might have made the leather shrink and tighten around the last.

16th Century Shoe Tutorial at MorganDonner.com

I glued several pieces together, until I reached a height that looked right on the shoe.

16th Century Shoe Tutorial at MorganDonner.com

Right now, there’s nothing but glue holding the heel together but for extra security, I added nails, coming from both inside and out.

16th Century Shoe Tutorial at MorganDonner.com

Ta-da!  Happy nails!

But that heel is still very rough, so let’s even it out.

16th Century Shoe Tutorial at MorganDonner.com

My husband let me borrow one of his woodworking chisels for some cleanup.

16th Century Shoe Tutorial at MorganDonner.com

Lol, there’s some of those uneven stitches I mentioned on the toe.

16th Century Shoe Tutorial at MorganDonner.com

The sudden color change isn’t your screen!  I’ve dyed it a dark reddish brown color (many thanks to my leather working friends for letting me use their dye!), and on the bottom edge, I’ve applied wax and melted it in.  I admit, I cannot remember if I saw that suggestion from a period source or a modern one!  I’ll try to edit this later when I find out.

16th Century Shoe Tutorial at MorganDonner.com

16th Century Shoe Tutorial at MorganDonner.com

A few specks of glue ended up on the vamp, preventing the dye from penetrating those spots.  I suppose that’s why most people dye before they sew.

16th Century Shoe Tutorial at MorganDonner.com16th Century Shoe Tutorial at MorganDonner.com

Done!

Things I would change for next time:

  1. Cut the upper a little smaller than I think I will need.  It will stretch on the last.
  2. Cut the back of the heel/quarter much higher!  What looked ok on the last turned out about an inch shorter than I need to cup my heel properly.
  3. Don’t wet the upper!  It might stick :(
  4. Consider talcum powder before attaching upper, might help it release later.
  5. Do any decorative marks/pinks, and dyeing before attaching the upper.
  6. Use thick leather for the insole.
  7. Don’t forget to add a stiffener to the back piece before attaching upper!

Next time I’ll tackle these guys!

16th Century Shoe Tutorial at MorganDonner.com

 

An extra picture for those of you who like to pin :D

16th century shoe tutorial at MorganDonner.com

 

I try to post my projects in an easy to read, dress diary type format. When I first started learning to sew historical outfits, I found dress diaries to be the most helpful learning tools. I want to contribute my projects in the hopes that they will prove just as useful for others.

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13 comments on “My First Lasted Shoe
  1. Ike Cech says:

    To help get the shoe out, I think you add what is called an instep, this blog post talks about it http://fashionablefrolick.blogspot.com/2013/08/18th-century-turnshoe-workshop-part-two.html

    • Morgan Donner says:

      Ohh, I think I see how that works…I will definitely try something similar when I make my next set :D

      • Jax Telford says:

        I have seen a pice of ordinary kitchen plastic used over the last as well. This pulls away from any catches in the shoe.

  2. Thank you for the compliments! An excellent first welted shoe. A few comments to hopefully inspire your next pair :)

    1) An instep leather may be one way to help get the last out, but it might make the arch too high. Your lasts look like they have used to have a metal bar (it belongs in the slot, but is missing now) to “break the last,” that is, to get the heel part to lift up so you can remove the last. If not, grind/sand the arch off and make an instep leather of the same thickness which you can tie on. This will also let you sew the quarters to the vamp all the way.

    2) I don’t know of any documentation for waxing shoes other to make then firm and rigid (the opposite of what you want). Beeswax was also expensive. Tallow is great for making the leather supple yet flexible, and I work a good amount of tallow into the shoes before I close the uppers.

    3) Speaking of closing uppers, it looks like you used an overcast or whip stitch to close. I strongly suggest using the round stitch (a.k.a. double running stitch, saddlers stitch, etc) to close. It is more historical and is a stronger, tighter stitch.

    4) Make the welt about 4 inches longer than you think you need, but you know that now :)

    5) For the outsole, you do not actually need to make a V cut. Just cut a deep channel into the sole, sew, and then use your hammer on the damp sole to close the channel and hide the stitches. And yes, I always wet my sole leather. :). I get a bit of oxidation from the tacks, but it doesn’t bother me. If you want, I think some lemon juice will remove it.

    5) When you trim your lasting margin away, wet the leather down and pound it flat with your hammer. That will make it less concave. Very few 16th c. shoes had any kind of cork shavings or other material in between the insole and outsole (that I know of, anyway).

    6) Boar bristles, linen thread, and wax. Once you start using them, you will never go back to sinew and needles again :)

    Francis

    • Morgan Donner says:

      Thank you so much for all the detailed suggestions! We will definitely have to sit and chat at Antir-West War :D

  3. Saved as a favorite, I love your site!

  4. christi says:

    fantastic detailed tute. thanks so much

  5. Kathryn Smith says:

    Thank you for giving me the courage to try making my own pair of shoes. My lasts are being shipped soon; I got them at “Shoedo.com” They’re modern plastic, but my understanding is that they are still nailable, which is the important part.

    Speaking of nails, instead of using iron or steel nails, try using brass ones next time. That might prevent the oxidation issues.

  6. Ola says:

    Nice one Morgand,
    Fantastic effort, you’ve given me the courage to have a go now. Thanks

  7. anonymous friend says:

    It is ok to wet the upper leather – However, DO powder the upper with talcum powder before lasting.

    • Interesting thought – does not the damp leather simply defeat the purpose of the powder (absorbing it, etc)? I’ve not had too much trouble pulling the last out, though I have for cowmouth shoes =)

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